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A dancer, teacher, choreographer, writer, dance
therapist and scholar
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Poushali as Krishna in Rasleela |
Daughter of renowned vocalist Smt Atashi Chatterjee, Poushali Chatterjee began her
training in Manipuri Dance from the age of 8 under Shri Kunjo Singh. After her initial training she took lessons from Smt Darshana Jhaveri and Smt
Kalavati Devi. Finally she came under
the tutelage of the legendary Guru Bipin Singh,
from whom she learnt the finer nuances of the dance style. She was one of the few fortunate students to be a part of Guruji's
creative process, during which he composed items of sheer genius that form the rich repertoire of his school of Manipuri Dance.
Being a gifted and dedicated student, Poushali received a National Scholarship at the age of 12. With a natural
grace and sense of tala, she became equally adept at tandava, lasya and abhinaya. Her interest in learning all aspects of
this form made her learn how to play the Manipuri drum or Pung she has
mastered the art and plays the instrument regularly during her performances. The same interest also motivated her to take
training in Thang-Ta,
the Manipuri Martial Arts, from Ranjeet Chingtham, an accomplished exponent of this form.
Institution
In 1996, Poushali opened her own institution, Nandanik
Manipuri Dance Academy, now renamed Nandanik Movement Arts , where she teaches her students the various styles of Manipuri Dance - Rasleela, Cholom, Thang-ta and
Mridang playing - according to the scientific system of training devised by Guru Bipin Singh. She also conducts Dance Movement
Therapy sessions for children and adults. Nandanik has already produced fine dancers, many of whom have received scholarships
and degrees from Pracheen Kala Kendra, as well as Shringarmoni titles from Sur Singar Samsad, Mumbai. The performing troupe
of Nandanik has already toured extensively and given successful performances.
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Poushali in abhinaya |
Choreography
Poushali has choreographed a number of dance dramas, the chief among them being
Krishnaleela, Rabindranath Tagore's 'Kalmrigaya' and Maharshi
Bhagyachandra, a dance drama based
on the life of the pioneer of Manipuri Dance. Her study of English literature and awareness of developments around the world
have fuelled her interest in contemporary choreography. In 2003, she presented her first contemporary production Sama - The Harmony of Life, a fusion of Manipuri
and Odissi that explores the rhythms of life and dwells on how these rhythms are being broken by an increasingly intolerant
and violent world order. Poushali has also choreographed Agni - The Life Force, which delineates the many moods of fire, from the nurturing to the destructive. Recently
she presented 'Icche - Shei to Bhangche, Shei to Gorche', a
dance drama based on one of Rabindranath Tagore's short stories, which deals with the discontentment of human beings with
what they have and their constant yearning for what they don't have. Poushali's next production 'Patakatha - A Story of Evolution' traces the history of the Potuas, a group
of painters-cum-musicians from rural Bengal whose art is under threat from modern forms of entertainment.
At present, Poushali gives performances, while teaching and choreographing as well. She has recently finished a
two-year a research project on the similarities and differences between Hindustani, Carnatic and Manipuri Tala and Music with
a Fellowship from the Government of India.
Poushali also has an excellent academic record, with a Post Graduate degree in English literature. She has worked for
several advertising concerns and is working as a senior manager in one of the foremost e-learning companies in the world.
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Khajuraho Festival, Konark Festival, Nishagandhi Festival
(Trivandrum), Ganga Festival (Benaras), Soorya Festival (Trivandrum), Chhand Festival (Bhopal), Haridas Sammelan, Celebrating
India Festival, Raindrops Festival, Solo Dance Festival (Manipur), Uday Shankar Festival (Kolkata), Dance Drama Festival (Kolkata),
Kabipakkha - celebration of Rabindranath Tagore's Birth Anniversary, Spring Festival (Rourkela), performances at India International
Centre & India Habitat Centre (Delhi), National Centre for Performing Arts (Mumbai), India International Trade
Fair, International Drum Festival (Indonesia), programmes in USA and Mexico as part of Indian Cultural Delegation, programmes
on Doordarshan.
Tours Abroad
USA (1993 & 2004), Canada, Mexico, Indonesia,
Singapore
Titles & Awards
Shringarmoni, Kala Gurjari,
Nartan Visharad, Nartanalankar, Ist Prize in National Youth Festival
Associations
Senior Faculty Member at Children's
Little Theatre, Kolkata, Director of Nandanik Movement Arts, External Examiner, Rabindra Bharati University
Concert Formats
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Off the Press
Sunil Kothari, Nartanam, July-Sept, 2003
"India International Centre presented Guru Bipin Singh's principal disciple Poushali
Chatterjee from Kolkata and her disciples in a delectable Manipuri recital consisting of the legendary Gurus exquisite compositions.Through
aangikabhinaya and petal soft feet movements, delicate hand gestures and appropriate mukhajabhinaya Poushali did justice to
this abhinaya number (Anangakshep). Her aharya, costume and her own personality like the sahaja alankara, the natural graces
mentioned in the Natyashastra enhanced the beauty of the poem. It was an outstanding number from her repertoire. The programme
was full of variety and succeeded in bringing out the many splendoured beauty of Manipuri dance. The solo numbers were like
gems and precious legacy of the late Guru. Poushali has been, with great fidelity, keeping up the tradition and presenting
Guru Bipin Singh's choreography in an aesthetic manner."
Leela Venkataraman, The Hindu, New Delhi, August 2003
"Poushali Chatterjee in her Manipuri recital at the India International Centre excelled
in solo items...lightness of foot contact and springy grace characterised the dancer's movements..."
Asian Age, 20/7/2003, Mumbai.
"One moment she is the graceful, sad
Radha. The next, she is the mischievous Lord Krishna. Poushali Chatterjee's versatile performance surprised and impressed
many Mumbaites at the 13th Festival of Indian Classical Dance - Raindrops, held at NCPA on July 17 & 18. It was for the
first time that a Manipuri Dance performance was held at the fest, and Poushali seemed the perfect choice ..."
Desh Patrika, Calcutta.
"A remarkable aspect of Poushali's dancing is her equal
mastery over tandav and lasya..."
Sunil
Kothari in The Statesman, Calcutta.
"In Manini Radha, Poushali portrayed
the different emotions with great finesse. Here's a dancer worth watching"
Dance Diary, New York.
"Latasana Devi and Poushali Chatterjee played a ball game - one that turned out to be more interesting
than a tennis match...The swift gestures made it materialise in the eyes of the beholder"
Dainik Jagaran, Madhya
Pradesh. "The
best depiction of Geet Govind in the Khajuraho Festival"
The Asian Age, Calcutta.
"Her rendering of the famous jayadeva song 'Yahi Madhava Yahi Keshava...was enthralling"
The
Telegraph, Calcutta
"Krishnaleela by the students of Nandanik...stood
out for simplicity in presentation"
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